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“The musical My Fair Lady,” Beard says, not lowering his book, “is based on the 1913 play Pygmalion by Irish playwright George Bernard Shaw, which is in turn based on the Greek myth of the sculptor Pygmalion.”
“So?”
“Pygmalion—” Beard’s looking at him from over his book now with that nonplussed stare—“sculpts a statue he finds so perfect that he falls in love with his creation.”
Roy finds himself glancing back through the doorway just as Jamie pulls off his shirt, pausing to fix his hair in the mirror before he opens the locker to grab his kit.
When Roy turns around, Beard’s buried in his book again.
“Right.” Roy frowns and shuts the door.
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Brilliant
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